Dust

After leaving his homeland, Tomaž Kajzer became one of the world’s most acclaimed choreographers. At first, it seems that his dance production The Baptism at the Savica will finally bring him recognition at home as well. But when politicians attend the preview performance, they dislike the show entirely and give an ultimatum to artistic director Šmid, who invited Kajzer: either Kajzer’s career is jeopardized, or Šmid must break off the collaboration. The manipulation of the media and the destructive power of falsehoods know no bounds. Will this be yet another confirmation that the fear of flying is a mere trifle compared to human treachery?